Representasi Gerakan Politik Identitas dalam Film Sepanjang Jalan Satu Arah (Along the One Way) : Analisis Semiotika Representasi Politik Identitas dalam Film Sepanjang Jalan Satu Arah

Films reflect the socio-political conditions in the dynamics of people's lives, one of which is through the form of a representation approach. Stuart Hall, describes the form of representation into three types (1) a reflective approach (2) an intentional approach (3) a constructionist approach. One that is commonly used is the constructionist approach, of this form the film is able to describe the thoughts of the filmmaker and bring reality through the screen by changing and shaping itself based on codes, conventions, and ideologies of the culture. This form is applied through a film which is become the object of this research, a film entitled "Sepanjang Jalan Satu Arah (Along the One Way)" which discusses the upheaval of the Political Identity movement in the 2015 Surakarta Local Election. This research is going to use Roland Barthes's semiotic analysis with the concept of meaning the signs (denotative, connotative, mythical). The purpose of this study is to see the representation of the Political Identity movement that took place during the 2015 Surakarta Local Election contestation. The representation is analyzed through the process of interpreting the texts created in this film, including narrative elements (dialogue, characterization and plot) and cinematic elements ( mise-en-scene). The research findings show that this film represents a political identity movement as a movement that is 'obedient' in the form of its own sel identification (symbolic and ritual), mobilizes the masses with its 'religious' rhetoric, and uses religious facilities to fulfill its political process.